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呂進(jìn)油畫(huà)風(fēng)景寫(xiě)生展

開(kāi)幕時(shí)間:2017-06-24 15:00:00

開(kāi)展時(shí)間:2017-06-24

結(jié)束時(shí)間:2017-07-07

展覽地址:北京 798 國(guó)際藝術(shù)區(qū)朝陽(yáng)區(qū)酒仙橋路 4 號(hào)

參展藝術(shù)家:呂進(jìn)

主辦單位:北京中方角畫(huà)廊

展覽介紹


  寫(xiě)生感言
  
呂進(jìn)

  我從七十年代初學(xué)繪畫(huà)的時(shí)候,就熱愛(ài)上了寫(xiě)生。記得我第一幅寫(xiě)生是畫(huà)馬,當(dāng)時(shí)第一次照著實(shí)物活體的馬寫(xiě)生我還真有點(diǎn)緊張,這跟臨摹書(shū)本上的馬完全不同。當(dāng)我哆哆嗦嗦畫(huà)完后,我受到了許多叔叔們的表?yè)P(yáng)和鼓勵(lì),這更加激起了我對(duì)寫(xiě)生的濃厚興趣。幾乎每天一放學(xué)就去畫(huà)馬和馬車(chē),趕馬車(chē)的叔叔常常向我索要我現(xiàn)場(chǎng)寫(xiě)生馬的鉛筆畫(huà),我都非常開(kāi)心地贈(zèng)予他們,因?yàn)檫@是對(duì)我寫(xiě)生馬的肯定,他們也經(jīng)常送給我西紅柿和黃瓜予獎(jiǎng)勵(lì)。從此,我對(duì)寫(xiě)生的熱情一發(fā)不可收拾,并由此開(kāi)啟了我的繪畫(huà)生涯……
  從對(duì)馬的各種動(dòng)態(tài)寫(xiě)生,使我感悟到觀察力要既快又要準(zhǔn),把馬的動(dòng)態(tài)像照相機(jī)拍照一樣一幀一幀地牢記心中,這對(duì)我以后的風(fēng)景寫(xiě)生產(chǎn)生了很大影響。我的寫(xiě)生是將客觀自然轉(zhuǎn)向我的主觀意識(shí),在寫(xiě)生過(guò)程中捕捉大自然中光和色彩的細(xì)微變化,我喜歡用自己的油畫(huà)語(yǔ)言表現(xiàn)瞬間的永恒及印象!

  Recollections and Feelings on Sketching

  From the very beginning of my learning for painting in 1970s, I had fallen in love with sketching. I remember that my first sketch was horse painting, and I was a little nervous when I first sketched a real alive horse, which was totally different from the horse copying from the book. When I finished the painting of horse with trembling hands, I was praised and encouraged by many uncles, which made me more interested in sketching. Nearly every day after school, I went out to draw the horses and carriages, and the uncles who drove the carriages often asked me for my paintings of horses, and I was always very happy to gave it to them, because this was an affirmation to my painting of horses, while they often gave me some tomatoes and cucumbers as an encourage. From then on, my passion for sketching went out of hand and my painting career was opened ......
  From the various dynamic sketch of horses, I came to realize that observation capability should be both fast and accurate. I remembered the horse dynamic deeply in mind, just like taking photos from one frame to another by a camera, which had a great influence on my future landscape painting. My sketch is to turn the objective nature into my subjective consciousness and capture the subtle changes of light and color in the process of sketching. I like to express the momentary eternity and impression in my oil painting language!

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